Michael Jackson For All Time
Take a Trip Down on the Memory Lane with the King of Pop

Today in MJJ HIStory


1973 – The Jackson 5’s next studio album, Get It Together, is released.


GIT was a strong album that enjoyed moderate success. Musically, their sound had matured from bubblegum pop to hard funk/proto-disco, which may have been over the heads of their young audience.

Michael was now fifteen years old, and although he could no longer rely on the pre-pubescent charm that helped make him a star, he continued to grow as a performer.

The last song on the album, Dancing Machine, became a feature for a new dance routine, “the robot” (first used during the Japan concerts the previous spring), that would become an MJ trademark – at least until the moonwalk (or “back slide”) came along a decade later.

“Get It Together”, the tenth album of Motown Jackson 5, is regarded as album of the revival of the brothers in this team. Their previous album “Skywriter” having been, in fact, a failure, and the group seemed far from triumphant debut.

1973 was also the year when the J5 begin to find a way to compose and produce their own songs. Unfortunately the machine is far from Motown tubes to be flexible and allow full freedom to his singers, confined to their unique role as interpreters. The group is approaching, however, Stevie Wonder. Recording sessions with a number of times will take place. But the only official release will appear in the chorus of the single “You Have not Done Nothing”.

“Get It Together” is tinged with the imprint of Hal Davis, the producer behind the new Jackson 5’s, and these new dance rhythms.

“The boys asked me something that moves”, said Hal Davis. “The clubs discos appeared everywhere, and these kids were real dancers. The disco was in the air, and suddenly, I would have given anything to dance. I had this extraordinary rhythm section: William Salter to bass, Joe Sample on keyboards, and James Gadson on drums. Gadson was particularly giant. “

On “Get It Together,” the voice of Michael begins to change: a little more serious, but also more powerful than ever. Behind it, he dreamed of singing songs to disco club. He adored move. “The disco had its detractors,” says Michael, “But for us it was a necessary route to enter the adult world.

Among the motivating songs include the title song “Get It Together,” written and composed by almost all the flagship Motown: Berry Gordy, Hal Davis, Larson and Marcellino. This title has reached the second list Soul, 1973, as the title “Do not Say Goodbye Again”.

The album contains, as often since the inception of the times: The Supremes, Reflections, Gladys Knight & the Pips, “You Need Love Like I Do Do not You”, and finally one of the Temptations: “Hum Along And Dance “, a composition of Norman Whitfield.

Jackson 5 But the real surprise of the album Dancing Machine. This title has been broadcast on radio after the sales of this album have ceased. The title has been # 1 in March 1974 and was resumed in a shorter version in 1974 on the next album, “Dancing Machine”. The disco track is an opportunity for Michael to sparkle with creativity. The title was inspired dance called the “Robot”, mechanical movement, which inspired many dancers (including those who will say later, having learned the moonwalk to Michael …) and mark the beginnings of dance called “Breakdance .

The recording sessions of “Get It Together” gave birth to several titles of which will be published a few years later Joyful Jukebox Music in 1976: it is Pride and Joy, a cover of Marvin Gaye in a absolutely fresh and innovative approach to this classic Motown.

That autumn, the group’s TV appearances included a Bob Hope special and Soul Train.

1986 – Michael Jackson’s “Captain Eo” debuted at Disneyland’s Journey into Imagination at Epcot Center.

More than a year after this first announcement, “Captain EO” [“EO” is Greek for “dawn”], Michael’s 17 minute space fantasy 3-D movie, premièred at Epcot Center in Disney World, Florida. The film, directed by Francis Ford Coppola [“Dracula”] and produced by George Lucas [“Star Wars”], becomes [and up to today still is] the most expensive film -“minute-for-minute” – ever made. [Estimated costs for the 17 minute film – US$ 30 million].

Michael stars in the title role alongside Anjelica Huston.
Billed as ‘a celebration of triumph over evil’, it included two new songs written and performed by Michael, Another Part Of Me (later featured on Michael’s album BAD) and We Are Here To Change The World.

After its première at Disney World Florida, the 3-D movie was shown at all 4 Disney Theme Parks [Florida, California, Japan, France] with tremendous success and became one of the main attractions of the parks. “Working on ‘Captain EO’ reinforced all the positive feelings I’ve had about working in film and made me realize more than ever that movies are where my future path probably lies”, Michael says later.

After a long delay, Captain EO premiered at the Epcot Center on September 12, 1986. A 3-D special effects extravaganza, the seventeen-minute film cost $30 million to make, making it the most expensive movie ever produced on a per-minute basis at the time.

Designed specifically for screening at the Disneyland and Disney World amusement parks, Captain EO was more than a movie, it was a full-on sensory experience, created to provide a thrill equal to any rollercoaster. Michael starred as the movie’s namesake, a space hero who leads a ragtag assortment of cute creatures in a mission to unlock the despotic Witch Queen’s (played by Angelica Huston) inner beauty, armed only with the power of song and dance.

Captain EO is regarded as the first “4-D” film: the action on the screen extended into the audience, including lasers, laser impacts, smoke effects & starfields that filled the theater.
These in-theater effects resulted in the 17 minute film cost $30 million to produce; At $1.76 million per minute, it is still the most expensive minute-for-minute film ever made!

1987 – The Bad world tour began in Japan. ‘Typhoon Michael’, as he was nicknamed, swept into Japan to kicks off his first ever solo tour. He plays the first of three sold out concerts at the Korakuen-Stadium to a capacity of 45,000 [meanwhile known as Tokyo Dome] in Tokyo, Japan.

At each and every concert he played, Michael ensured 400 tickets were reserved for underprivileged children; these were distributed via orphanages, hospitals and children’s charities. However, with precious little time to prepare, Michael necessarily based the Bad World Tour on the Victory Tour.

Here, his parents caught up with him and, following the first show she had seen, Katherine was asked by Michael’s manager Frank Dileo what she thought. Katherine thought it was great.
‘Michael’s always good,’ she replied, ‘but it would have been a better show with the brothers.’ She explained why. ‘They know how to dance and harmonise together. Their voices blend in a special way because they’re brothers.’
So, in her opinion, the show would have been better with Michael’s brothers. Many Jackson fans would readily agree with Katherine, but the Victory Tour left a bitter taste in Michael’s mouth and besides, the aim of this tour was to promote his solo album, BAD.

Three dates at Osaka’s Nishinomya Stadium were followed by five at the Yokohama Stadium in Yokohama, after which Michael rounded off the Japanese leg of the tour by returning to Osaka for another three concerts.

Prior to the tour, his life as an entertainer frequently bringing him into conflict with his religion, Michael withdrew from the Jehovah’s Witnesses (he later re-joined). A representative from Woodlands Hill Kingdom Hall, to which Michael had belonged, issued a terse statement confirming Michael had ‘disassociated himself from the congregation’.
A few days later William Van De Wall, a Jehovah’s Witness spokesman, told reporters, ‘He (Michael) took the initiative. We didn’t take any action. We were informed of his wishes.’
No longer shackled by his religious beliefs, Michael added Thriller to the tour line-up, plus two songs from his new album, I Just Can’t Stop Loving You and Bad.

Michael had invited the magicians Siegfried and Roy to create illusions for his “Bad” tour and, in return, wrote a special number, “Mind Is The Magic”, to open their show at the Mirage Hotel in Las Vegas.

Siegfried and Roy are Las Vegas’ number one entertainment attraction and since its opening in 1981, their spectacular illusion show has never played to a single empty seat!

Michael’s touring band included backup singer Sheryl Crow, who sang in a duet with Michael on I Can’t Stop Loving You at every performance. Crow, who would eventually become a star in her own right seven years later, became the subject of tabloid scrutiny as Michael’s rumored love interest, a fallacy Michael’s spin machine did little to discourage.

Michael Jackson’s album “Bad” debuted at #1 in the U.K.

1992Le Figaro, French magazine features MJ on its cover with the story Appariton a Paris Le Mystere Jackson.


1993 – Over the weekend of Sep 11 & 12, fans marched in support of MJ in Hollywood. Flowers & cards were left at his freshly polished star on Hollywood’s Walk of Fame.

Michael arrived at the next tour stop, Moscow, and was greeted by hundreds of fans waving their gloved hands in the air and shouting to him. A banner was held up saying “Siberia Loves You Michael!”. The next day Michael left his hotel to do some shopping. He picked up a 19th century statue, several paintings & books, and a Russian army officers coat. He also toured the Kremlin museum & armory.
The following day, Michael had video shot of himself marching with Russian army soldiers.

1995 – Michael Jackson’s maxi single “The Remixes” was released.

Michael Jackson’s “Video Greatest Hits – History” was certified 2 times Platinum.

1997 – Michael interview with Barbara Walter on 20/20’1 at George V Hotel in Paris, France.

The show aired on ABC, Michael discusses the paparazzi; battered men; children roam casinos while parents gamble.

Michael: You should not say, “He’s Jacko.” I’m not a ‘Jacko’. I’m Jackson.
Barbara: How do you feel when they call you…
Michael: Yeah, Wacko Jacko, where did that come from? Some English tabloid. I have a heart and I have feelings. I feel that when you do that to me. It’s not nice. Don’t do it. I’m not a “wacko”.

Michael also talked about the recent death of Britain’s Princess Diana:

In my heart I was saying, “I love you Diana. Shine. And shine on forever, because you are the true Princess of the people.” And in words I did not say it, but I said it for three minutes in showing a big picture on the jumbotron screens…Sony, big huge screens…and her picture was there shining…and the crowd went bananas. And I played the song “Smile” and “Gone Too Soon”.

and being a daddy:
Barbara: You have said, “I grew up in a fishbowl. I will not allow that to happen to my son.” Yet, when your son was born, you sold pictures to the National Enquirer and to other European papers, tabloids. Why did you do that?
Michael: Because there was a race. There were some illegal pictures out. Illegally, somebody had taken pictures of a baby…millions of dollars…said, “Here’s Michael’s son.”
And it wasn’t. So, I took pictures of the baby. I said, “They’re forcing me to get his pictures.” There’s helocopters flying above us…flying over my house…flying over the hospital, um, machines and satellites all over. Even the hospital said, “Michael, we’ve had every kind of celebrity here…but we’ve never had it like this. This is unbelievable.” And so I said, “Here, take it.” And I gave the money to charity
Barbara: So, rather than…what you’re saying is…what you did was to get them off your back.
Michael: Yeah…and may be I don’t want to show him to the world like that. I want him to have some space…where he can go to school. I don’t want him to be called “Wacko Jacko” that’s not nice. They call the father that. That isn’t nice…right?

The interview was conducted without letting know the press, nor the Paris hotel. But when Michael tried to sneak out through a back door, there was a huge crowd… already waiting!

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